last monday was my first photo crit of the semester. it was also the first one in which my photos sparked a 30 minute debate of the differences between documentary photography and well... political undertones of the photography. because i chose to do my project on the different travel modes to hebron, i guess i could have expected nothing less. however, as stated below, i'm getting tired of the underlying political aspects. sometimes, things are just what it is. it is nothing more. i also do not want to do a critique on the relations between israel and palestine. here is where i am truly an outsider. i have never lived here nor do i have any connections with the place besides my fascination of the language and culture. i will never have the deep-rooted feelings that the israelis have accumulated over time. in a way, i feel like it is not in my place to do this project but it is one that i can do because i am a foreigner. i feel i cannot do the places and people justice in my photography because even with all my research, i will still be a 'tourist', an outsider. my photos of israel will always gravitate toward the things that have political charge to them, such as a watchtower, the wall border, military personnel, etc. i don't mean to only take pictures of that, not that i do. it is just that this is what comes from the project and it is hard to separate the politicalness of the photos, but my intentions are clear. it is merely a project documenting MY journey to hebron using egged and the arab buses. documentation and nothing more. but i cannot stop an arab israeli and a jewish israeli seeing something completely different that i mean to show.
the pope's visit amongst other things
in hopes for peace and reconciliation, the pope visited israel and palestine last week. i have to say that his aspirations backfired in his face. in his wake, the traffic increased much to the chagrin of commuters in jerusalem. everyone was so irritable, the bus drivers more so. there was an influx of italian tourists. what, you don't see the pope enough in italy? everyone was more than ready to feed the pope to the dogs, which they did. the newspapers in israel printed the pope's involvement in hitler youth and the general air of anti-semitism of the roman catholics. furthermore, the entire student village was on military lockdown with snipers galore because he was landing in the helipad that is located right next to the dorms. lucky us. it seems that even though the people were looking forward to the pope's visit, it was gone soon after his arrival.
last monday was my first photo crit of the semester. it was also the first one in which my photos sparked a 30 minute debate of the differences between documentary photography and well... political undertones of the photography. because i chose to do my project on the different travel modes to hebron, i guess i could have expected nothing less. however, as stated below, i'm getting tired of the underlying political aspects. sometimes, things are just what it is. it is nothing more. i also do not want to do a critique on the relations between israel and palestine. here is where i am truly an outsider. i have never lived here nor do i have any connections with the place besides my fascination of the language and culture. i will never have the deep-rooted feelings that the israelis have accumulated over time. in a way, i feel like it is not in my place to do this project but it is one that i can do because i am a foreigner. i feel i cannot do the places and people justice in my photography because even with all my research, i will still be a 'tourist', an outsider. my photos of israel will always gravitate toward the things that have political charge to them, such as a watchtower, the wall border, military personnel, etc. i don't mean to only take pictures of that, not that i do. it is just that this is what comes from the project and it is hard to separate the politicalness of the photos, but my intentions are clear. it is merely a project documenting MY journey to hebron using egged and the arab buses. documentation and nothing more. but i cannot stop an arab israeli and a jewish israeli seeing something completely different that i mean to show.
last monday was my first photo crit of the semester. it was also the first one in which my photos sparked a 30 minute debate of the differences between documentary photography and well... political undertones of the photography. because i chose to do my project on the different travel modes to hebron, i guess i could have expected nothing less. however, as stated below, i'm getting tired of the underlying political aspects. sometimes, things are just what it is. it is nothing more. i also do not want to do a critique on the relations between israel and palestine. here is where i am truly an outsider. i have never lived here nor do i have any connections with the place besides my fascination of the language and culture. i will never have the deep-rooted feelings that the israelis have accumulated over time. in a way, i feel like it is not in my place to do this project but it is one that i can do because i am a foreigner. i feel i cannot do the places and people justice in my photography because even with all my research, i will still be a 'tourist', an outsider. my photos of israel will always gravitate toward the things that have political charge to them, such as a watchtower, the wall border, military personnel, etc. i don't mean to only take pictures of that, not that i do. it is just that this is what comes from the project and it is hard to separate the politicalness of the photos, but my intentions are clear. it is merely a project documenting MY journey to hebron using egged and the arab buses. documentation and nothing more. but i cannot stop an arab israeli and a jewish israeli seeing something completely different that i mean to show.
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